Sunday, April 21, 2013

The Fractal Prince


I’ve often talked with my wife about how our lives have changed.  We remark on how improvements in technology have changed our day-to-day lives in such significant ways that our kids live totally different lives than we did twenty years ago.  Having those types of discussions has led me to wonder what a person who was born one hundred or one hundred and fifty years ago would think about us today.  Would they even recognize what we do as a normal life?  Would they understand most of what is going on around them?  How would they deal with or understand things like computers, the internet, ipods, phones, or video games just to name a few?


Why do I bring this up, you ask?  Because reading THE FRACTAL PRINCE by Hannu Rajaniemi made me feel like that person from the mid 1800’s coming to today.  I felt like someone who had been thrust into a world that I didn’t and almost couldn’t understand.  And I say that not as a bad thing.  I’m not gonna lie to you, this book was a tough read, especially at first.  Terms are thrown around and I had to make sense of them myself until the context of it gave me foundation for what the terms meant.  Still, I eventually figured this world out and it was a world full of wonders and problems.

I’ve tried writing down a synopsis of what this book is about several times.  And as much as I read it and think I understood THE FRACTAL PRINCE, I’m having a heck of a time trying to sum it up in only a few paragraphs.  The terms in the book that got in my way at first make it hard to tell you about some of the concepts.  You don’t know what those terms mean or why they should matter to you.  In fact the whole novel is so centered on this technology far far in the future that I’m just gonna give up.  Instead I’ll give you the synopsis from Amazon:

“The good thing is, no one will ever die again. The bad thing is, everyone will want to.”

A physicist receives a mysterious paper. The ideas in it are far, far ahead of current thinking and quite, quite terrifying. In a city of “fast ones,” shadow players, and jinni, two sisters contemplate a revolution.

And on the edges of reality a thief, helped by a sardonic ship, is trying to break into a Schrödinger box for his patron. In the box is his freedom. Or not.


Jean de Flambeur is back. And he’s running out of time.


See what I mean? If that synopsis doesn’t help you much, don’t worry.  It didn’t help me either.  This is not an easy book to tie down with a few sentences.  And I don’t think it’s supposed to be.

In the end the problem I had writing about this book is the problem I had with the book.  It seemed so in love with the technology that it failed to tell as compelling a story as I would have liked.  I can think back on it and remember some of the events and even some of the characters, but the problem was that all of that was so overshadowed just trying to figure out and understand the novel. It makes Rajaniemi's follow-up to THE QUANTUM THIEF (which I liked well enough - check out the review here) a tough book to flat-out recommend. 

I certainly enjoyed reading it and I loved the sensation of seeing a far-future that was so utterly alien.  That sense of wonder in my opinion is the reason to read the book.  The story was secondary to it.  If you like those big ideas and that scope and imagination then I would say THE FRACTAL PRINCE (and it's predecessor) is for you.  If you want a rip roaring yarn that’s hard to put down because you just HAVE TO KNOW what’s going to happen next, then I might give it a pass.

Age Recommendation: 16+  It just seemed rather complicated
Violence: Not much that I recall
Language: A bit here and there
Sex: A weird sci-fi-type scene at the beginning, not too graphic but certainly there

Want to give these novels a shot? Here are your links:

Ruins


PATHFINDER, the first book in Orson Scott Card’s Pathfinder series (of which RUINS is the second book), kind of blew me away (read my review here). I am a big fan of Card’s older work. ENDER’S GAME is a classic. I loved the rest of the Ender series, (the Shadow series not so much) and I loved both WYRMS and TREASON. But I have had a hard time getting into his work lately. This series however feels like a bit of that Old Card coming through.


The plot, for those of you who haven’t gotten on board, follows Rigg a boy who can see paths, the paths that humans have traveled in and how recently. To some extent it lets him see the past, who went where and when they did it. I’m gonna get all spoilery of the first book in a second so if you want you can just jump down to the bottom of the review where I will tell you if this is a good book or not (hint: it is).

The first book, PATHFINDER, ends with Rigg having found his sister, who can manipulate time as well, though in different ways, and together with her, his friend Umbo and two ex-soldiers Loaf and Olivenko have crossed the barrier between their land and the land bordering it. RUINS deals with Rigg and his pals exploring some of the other lands that make up the planet Garden. The scope of the series is almost immediately widened and a bigger view of where the series is going as a whole is brought to the forefront. I thought maybe Card would spend this book dealing with just the one one new place and the problems that the new Wallfold faces, but I was wrong. Card wastes no time moving from one place to the next, and indeed even one time to the next. It was difficult at times seeing the characters go back and forth in time. The group would travel forward and backward in time to see certain events or bypass various obstacles. There was a lot of it and at times I wasn’t sure WHEN the book was happening. It didn’t matter. The story unfolded pretty smoothly and was a fun quick read.

During the book as Rigg and his friends go from land to land (called Wallfolds in the book), the group would discover something new, something that those particular inhabitants had spent the last ten thousand years cultivating and exploring. As I was reading I had an uneasy sense that I’d read that before. Card is plagiarizing someone else’s idea I thought. Then I realized where I had read the idea before. It was in a previous Orson Scott Card book called TREASON (an excellent book, one of my favorites of Card’s writing). The idea is still cool here and going from place to place to see what each different set of people had created or discovered was one of the joys of the book.

That being said, I think I enjoyed the idea a bit more in TREASON. The book was shorter, more action packed and to the point. That’s not to say that RUINS wasn’t a lot of fun (it was). Just that particular idea seemed better used in that shorter work.

RUINS is still a lot of fun. At a time where I had almost given up on Card’s work he comes out with this Pathfinder series to remind us all of why we liked him in the first place. This series isn’t destined to be another ENDER’S GAME. But then what is? RUINS is still fun and worth your while.

Age Recommendation: I dunno, whenever they want to read it I guess. The time travel stuff can be a bit confusing and the two boys Rigg and Umbo, are immature and make a few rude jokes, but nothing really offensive here.
Language: Not really
Violence: Nothing I recall was too bad
Sex: Maybe mentioned but nothing to get upset about.

Want to give this series a try? Here are your links:

2013 Hugo Award Nominees


Well holy crap! If you pay attention to the Hugo Awards, you know that the nominees for the 2013 Hugo Awards were announced today. So who has ten thumbs and is nominated for a Hugo? THESE GUYS here at Elitist Book Reviews!!!!


...you get it right? There are five reviewers here at EBR...ten thumbs...never mind.

Here at Elitist Book Reviews, we are positively thrilled to be nominated. A lot of thanks goes out to all of you that had memberships to WorldCon this year. It is because of you that we have been nominated. There were a few people who were campaigning for us (Larry Correia, for example), and we thank you for your kind and enthusiastic recommendations. A big congratulations to everyone nominated, and it's great to see a bunch of friends on this list!

Mainly, I want to thank the amazing reviewers here at EBR. Vanessa, Shawn, Nick S, and Dan. You guys are awesome, and I couldn't run this site without you four. Awkward hugs and kisses for everyone!!

So what happens next? Well, those people that have memberships to LoneStarCon 3 (this year's WorldCon in San Antonio) can vote. At that convention, the award ceremony will be held and the winners announced. Obviously, we'd totally love to win. That's where YOU come in.

Look, we can only do so much for ourselves. Limited staff and all that. The rest is up to you.

THAT'S RIGHT! YOU DECIDE WHO WINS!!!

Ahem...

Now, below is the full list of nominees. We'll be reviewing all the short fiction, and we'll give you our picks for the awards once we've had a chance to read over the stuff we haven't already read. Here we go:

Best Novel
  • 2312 by Kim Stanley Robinson (Orbit)
  • Blackout by Mira Grant (Orbit)
  • Captain Vorpatril's Alliance by Lois McMaster Bujold (Baen)
  • Redshirts: A Novel with Three Codas by John Scalzi (Tor)
  • Throne of the Crescent Moon by Saladin Ahmed (DAW)

Best Novella
  • After the Fall, Before the Fall, During the Fall by Nancy Kress (Tachyon Publications)
  • The Emperor's Soul by Brandon Sanderson (Tachyon Publications)
  • On a Red Station, Drifting by Aliette de Bodard (Immersion Press)
  • San Diego 2014: The Last Stand of the California Browncoats by Mira Grant (Orbit)
  • “The Stars Do Not Lie” by Jay Lake (Asimov's, Oct-Nov 2012)

Best Novelette
  • “The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
  • “Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
  • “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
  • “In Sea-Salt Tears” by Seanan McGuire (Self-published)
  • “Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)

Best Short Story
  • “Immersion” by Aliette de Bodard (Clarkesworld, June 2012)
  • “Mantis Wives” by Kij Johnson (Clarkesworld, August 2012)
  •  “Mono no Aware” by Ken Liu (The Future is Japanese, VIZ Media LLC)
Note: category has 3 nominees due to a 5% requirement under Section 3.8.5 of the WSFS constitution.

Best Related Work
  • The Cambridge Companion to Fantasy Literature Edited by Edward James & Farah Mendlesohn (Cambridge UP)
  • Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them Edited by Lynne M. Thomas & Sigrid Ellis (Mad Norwegian Press)
  • Chicks Unravel Time: Women Journey Through Every Season of Doctor Who Edited by Deborah Stanish & L.M. Myles (Mad Norwegian Press)
  • I Have an Idea for a Book… The Bibliography of Martin H. Greenberg Compiled by Martin H. Greenberg, edited by John Helfers (The Battered Silicon Dispatch Box)
  • Writing Excuses Season Seven by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler and Jordan Sanderson

Best Graphic Story
  • Grandville Bête Noire written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
  • Locke & Key Volume 5: Clockworks written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
  • Saga, Volume One written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
  • Schlock Mercenary: Random Access Memorabilia by Howard Tayler, colors by Travis Walton (Hypernode Media)
  • Saucer Country, Volume 1: Run written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)

Best Dramatic Presentation, Long Form
  • The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
  • The Cabin in the Woods Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
  • The Hobbit: An Unexpected Journey Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
  • The Hunger Games Screenplay by Gary Ross & Suzanne Collins, Directed by Gary Ross (Lionsgate, Color Force)
  • Looper Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

Best Dramatic Presentation, Short Form
  • Doctor Who: “The Angels Take Manhattan” Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
  • Doctor Who: “Asylum of the Daleks” Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
  • Doctor Who: “The Snowmen” Written by Steven Moffat, Directed by Saul Metzstein (BBC Wales)
  • Fringe: “Letters of Transit” Written by J.J. Abrams, Alex Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
  • Game of Thrones: “Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

Best Editor, Short Form
  • John Joseph Adams
  • Neil Clarke
  • Stanley Schmidt
  • Jonathan Strahan
  • Sheila Williams

Best Editor, Long Form
  • Lou Anders
  • Sheila Gilbert
  • Liz Gorinsky
  • Patrick Nielsen Hayden
  • Toni Weisskopf

Best Professional Artist
  • Vincent Chong
  • Julie Dillon
  • Dan Dos Santos
  • Chris McGrath
  • John Picacio

Best Semiprozine
  • Apex Magazine edited by Lynne M. Thomas, Jason Sizemore and Michael Damian Thomas
  • Beneath Ceaseless Skies edited by Scott H. Andrews
  • Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker
  • Lightspeed edited by John Joseph Adams and Stefan Rudnicki
  • Strange Horizons edited by Niall Harrison, Jed Hartman, Brit Mandelo, An Owomoyela, Julia Rios, Abigail Nussbaum, Sonya Taaffe, Dave Nagdeman and Rebecca Cross

Best Fanzine
  • Banana Wings edited by Claire Brialey and Mark Plummer
  • The Drink Tank edited by Chris Garcia and James Bacon
  • Elitist Book Reviews edited by Steven Diamond
  • Journey Planet edited by James Bacon, Chris Garcia, Emma J. King, Helen J. Montgomery and Pete Young
  • SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester

Best Fan Writer
  • James Bacon
  • Christopher J Garcia
  • Mark Oshiro
  • Tansy Rayner Roberts
  • Steven H Silver

Best Fan Artist
  • Galen Dara
  • Brad W. Foster
  • Spring Schoenhuth
  • Maurine Starkey
  • Steve Stiles

Best Fancast
  • The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
  • SF Signal Podcast, Patrick Hester, John DeNardo, and JP Frantz
  • SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer)
  • StarShipSofa, Tony C. Smith

John W. Campbell Award for Best New Writer
  • Zen Cho
  • Max Gladstone
  • Mur Lafferty
  • Stina Leicht
  • Chuck Wendig